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A Man Without a Country, by Kurt Vonnegut
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NEW YORK TIMES BESTSELLER
“[This] may be as close as Vonnegut ever comes to a memoir.”
–Los Angeles Times
“Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”
–The New York Times Book Review
In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.
“For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”
–USA Today
“Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”
–Chicago Tribune
“Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”
–The Australian
“Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”
–Studs Terkel
- Sales Rank: #50311 in Books
- Published on: 2007-01-16
- Released on: 2007-01-16
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .50" w x 5.20" l, .29 pounds
- Binding: Paperback
- 160 pages
- Memoir
- Kurt Vonnegut
- A Man Without a Country
From Publishers Weekly
In his first book since 1999, it's just like old times as Vonnegut (now 82) makes with the deeply black humor in this collection of articles written over the last five years, many from the alternative magazine In These Times. But the pessimistic wisecracks may be wearing thin; the conversational tone of the pieces is like Garrison Keillor with a savage undercurrent. Still, the schtick works fine most of the time, underscored by hand-lettered aphorisms between chapters. Some essays suffer from authorial self-indulgence, however, like taking a dull story about mailing a manuscript and stretching it to interminable lengths. Vonnegut reserves special bile for the "psychopathic personalities" (i.e., "smart, personable people who have no consciences") in the Bush administration, which he accuses of invading Iraq so America can score more of the oil to which we have become addicted. People, he says, are just "chimpanzees who get crazy drunk on power." Of course, that's exactly the sort of misanthropy hardcore Vonnegut fans will lap up—the online versions of these pieces are already described as the most popular Web pages in the history of In These Times. (Sept.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Born in 1922 in Indianapolis, Indiana, KURT VONNEGUT�was one of the few grandmasters of modern American letters. Called by the New York Times “the counterculture’s novelist,” his works guided a generation through the miasma of war and greed that was life in the U.S. in second half of the 20th century. After a stints as a soldier, anthropology PhD candidate, technical writer for General Electric, and salesman at a Saab dealership, Vonnegut rose to prominence with the publication of Cat’s Cradle in 1963. Several modern classics, including Slaughterhouse-Five, soon followed. Never quite embraced by the stodgier arbiters of literary taste, Vonnegut was nonetheless beloved by millions of readers throughout the world. “Given who and what I am,” he once said, “it has been presumptuous of me to write so well.” Kurt Vonnegut died in New York in 2007.
From the eBook edition.
Excerpt. � Reprinted by permission. All rights reserved.
1
As a kid I was the youngest member of my family, and the youngest child in any family is always a jokemaker, because a joke is the only way he can enter into an adult conversation. My sister was five years older than I was, my brother was nine years older than I was, and my parents were both talkers. So at the dinner table when I was very young, I was boring to all those other people. They did not want to hear about the dumb childish news of my days. They wanted to talk about really important stuff that happened in high school or maybe in college or at work. So the only way I could get into a conversation was to say something funny. I think I must have done it accidentally at first, just accidentally made a pun that stopped the conversation, something of that sort. And then I found out that a joke was a way to break into an adult conversation.
I grew up at a time when comedy in this country was superb—it was the Great Depression. There were large numbers of absolutely top comedians on radio. And without intending to, I really studied them. I would listen to comedy at least an hour a night all through my youth, and I got very interested in what jokes were and how they worked.
When I’m being funny, I try not to offend. I don’t think much of what I’ve done has been in really ghastly taste. I don’t think I have embarrassed many people, or distressed them. The only shocks I use are an occasional obscene word. Some things aren’t funny. I can’t imagine a humorous book or skit about Auschwitz, for instance. And it’s not possible for me to make a joke about the death of John F. Kennedy or Martin Luther King. Otherwise I can’t think of any subject that I would steer away from, that I could do nothing with. Total catastrophes are terribly amusing, as Voltaire demonstrated. You know, the Lisbon earthquake is funny.
I saw the destruction of Dresden. I saw the city before and then came out of an air-raid shelter and saw it afterward, and certainly one response was laughter. God knows, that’s the soul seeking some relief.
Any subject is subject to laughter, and I suppose there was laughter of a very ghastly kind by victims in Auschwitz.
Humor is an almost physiological response to fear. Freud said that humor is a response to frustration—one of several. A dog, he said, when he can’t get out a gate, will scratch and start digging and making meaningless gestures, perhaps growling or whatever, to deal with frustration or surprise or fear.
And a great deal of laughter is induced by fear. I was working on a funny television series years ago. We were trying to put a show together that, as a basic principle, mentioned death in every episode and that this ingredient would make any laughter deeper without the audience’s realizing how we were inducing belly laughs.
There is a superficial sort of laughter. Bob Hope, for example, was not really a humorist. He was a comedian with very thin stuff, never mentioning anything troubling. I used to laugh my head off at Laurel and Hardy. There is terrible tragedy there somehow. These men are too sweet to survive in this world and are in terrible danger all the time. They could be so easily killed.
Even the simplest jokes are based on tiny twinges of fear, such as the question, “What is the white stuff in bird poop?” The auditor, as though called upon to recite in school, is momentarily afraid of saying something stupid. When the auditor hears the answer, which is, “That’s bird poop, too,” he or she dispels the automatic fear with laughter. He or she has not been tested after all.
“Why do firemen wear red suspenders?” And “Why did they bury George Washington on the side of a hill?” And on and on.
True enough, there are such things as laughless jokes, what Freud called gallows humor. There are real-life situations so hopeless that no relief is imaginable.
While we were being bombed in Dresden, sitting in a cellar with our arms over our heads in case the ceiling fell, one soldier said as though he were a duchess in a mansion on a cold and rainy night, “I wonder what the poor people are doing tonight.” Nobody laughed, but we were still all glad he said it. At least we were still alive! He proved it.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Buy this book. Read it. Vonnegut has crystalline ...
By Amazon Customer
Buy this book. Read it. Vonnegut has crystalline clear vision and reasoning powers.
14 of 15 people found the following review helpful.
A Quick Read Which Will be Sure To Get You Thinking!
By Brandon Hoffman
A Man Without A Country is a surefire hit for any Vonnegut fan. The book is a collection of ideas and short writings from the mind of 82 year old Kurt Vonnegut. The writings are reminiscent of a modern day blogger which is ironic considering Vonnegut's dislike of technological advance. I feel that his writings in this semi-memoire were quite amusing, well organized and inciteful. His feelings on war and the current state of this country are a little off the beaten path but they open your eyes to another way of thinking. I was also very impressed by his comparison of gasoline/petrolium to drug addiction. Overall this is a great book and a very quick read. Vonnegut will surely go down in history as one of the greatest writers of all time.
0 of 0 people found the following review helpful.
Five Stars
By Mickey Gjerris
Vonnegut at his best. Brief, cynical, poetic
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