Tuesday, October 30, 2012

[A303.Ebook] Ebook Free Opera Coaching, by Alan Montgomery

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Opera Coaching, by Alan Montgomery

"Opera Coaching "is the first practical guide for pianists, singers, and opera producers to this important--and often neglected--career. The opera coach is a teacher who helps singers not only meet the physical and vocal demands of a score, but--like the dramatic coach--shapes their entire performance. The opera coach must have a wide knowledge, from a full understanding of human physiognomy and the human voice, to the many languages used in Western vocal music, to the entire expanse of the opera repertoire, from its roots in 17th century sung drama through today's most modern compositions. "Opera Coaching "covers all of these topics and more, making it the ideal resource for anyone interested in this fascinating career.

  • Sales Rank: #2007666 in eBooks
  • Published on: 2007-05-07
  • Released on: 2007-05-07
  • Format: Kindle eBook

About the Author
Alan Montgomery is the Assistant Director of the Oberlin Opera Theater, and has been a member of the vocal faculty of the Oberlin College Conservatory of Music since 1980. He has served as an Opera Coach at the Hamburg (Germany) State Theater, the Whitewater Opera, and other companies, as well as at vocal institutes at the University of Indianapolis and other U.S. colleges. He has authored two operettas and translated many opera texts for performance.

Most helpful customer reviews

15 of 16 people found the following review helpful.
A Delightful, Easy to Read and Well-Limned Treasure
By jamie johns
I highly recommend this book to anyone who works with professional opera singers on a regular basis. I have a degree in accompanying and have been working in the opera/musical theater world for over 12 years but still this little book covered essential information that I have not encountered anywhere else. It is also a great assurance to the coach who may feel overwhelmed by this unwieldy profession. Immediately after reading this book, I found my coaching techniques to be refined and I was more confident about exactly what I should (and should not) be saying to singers in my coachings with them. I'm also in the position of hiring pianists for staging rehearsals and I wish that all aspiring "repetiteurs" would read this book as well. It thouroughly examines what is expected of the pianist in this unique and sometimes frustrating role. Kudos to Mr. Montgomery for taking some of the mystery out of this mysterious career path. The book is heavier on considerations than on techniques, so perhaps some day a follow-up book could be written (that of course would be a much larger tome) with more specific ideas on how to guide singers to their goals. In the mean time, no book I know will serve the coach/accompanist better in dealing with the challanges of this wonky gig. Mr. Montgomery deserves praise for turning many a gladdening and humorous phrase in a book that could have otherwise been drier than Grout!

14 of 15 people found the following review helpful.
Not really a review.
By Alan Montgomery
I can't write a review of this since I wrote the book itself. But I'll also mention, adding to the above description, that there is much food for thought for singers, conductors, directors, and chorus masters. "Techniques" may refer to ways an opera coach rehearses, but "Considerations" delves into the stylistic aspects of each composer or composition group and what makes one group different from another. There is a rather complete list of vocal Fachs at the end, including many roles omitted in similar lists elsewhere. A "Preferred Edition" section is also part of the Appendix.

As to the number of stars - you think I'm going to give it less than that?

0 of 0 people found the following review helpful.
First of its kind, and hopefully not the last
By Cembalista
This is one of the only books available on this subject, and covers it quite well. Many coaches will have learned most of these techniques and ideas from the real world, but it is an excellent resource for those entering the field. It is also an excellent resource for singers, who can learn how to get more out of their coachings by reading what Montgomery has to offer. Hopefully this book is the start of more resources of this sort, providing a link between what has been a largely aural and oral tradition of performance and coaching.

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Monday, October 22, 2012

[L668.Ebook] Download Ebook Developing an offensive game plan, by Brian. Billick

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Developing an offensive game plan, by Brian. Billick

  • Published on: 2001
  • Binding: Unknown Binding

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Thursday, October 18, 2012

[Y723.Ebook] Ebook Download The Oxford Illustrated History of Christianity (Oxford Illustrated Histories)From Oxford University Press

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The Oxford Illustrated History of Christianity (Oxford Illustrated Histories)From Oxford University Press

Spanning two thousand years of stirring religious, cultural and political events, this lavishly illustrated volume--the latest addition to the acclaimed Oxford Illustrated History series--provides the most authoritative and accessible history of Christianity ever published for the general reader.
The impact of Christianity on world civilization is almost incalculable, and in exploring this rich heritage, nineteen leading scholars range from the earliest origins to the present day to examine virtually every aspect of the faith. They discuss the apostle Peter and Roman Emperor Constantine, describe the role of Charlemagne in the expansion of the religion, and assess medieval scholasticism and the influence of Thomas Aquinas. The profound changes that occurred during both the Reformation and the Enlightenment are fully treated in chapters that offer revealing portraits of such key figures as Erasmus, Luther, Calvin, Wesley, and Rousseau. Fully one third of the book covers Christianity since 1800--with special studies of the faith as practiced in Britain and Europe, North and South America, Africa, India, and the Far East--offering a compelling continuous narrative filled with insight into the enormously diverse Christian world. In the final chapters, the authors consider questions of contemporary Christian theology, conscience and belief, and explore new concepts of Christian community.
Over 350 beautiful illustrations--including 32 full color plates--grace the text, ranging from mosaics, paintings and sculptures, to architecture and modern art. There are also ten maps, a chronology of important events, and an annotated guide to further reading.
Throughout, the book reflects the changing world in which Christians have found themselves, and the many ways in which, individually and through the institutions of the church, they in turn have influenced history. Comprehensive, vividly narrated, and exquisitely produced, this magnificent book captures the richness and vitality of Christian thought and culture throughout the ages. It is hard to imagine a more meaningful holiday gift.

  • Sales Rank: #1120448 in Books
  • Published on: 1990-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.80" w x 7.94" l,
  • Binding: Hardcover
  • 768 pages

From Publishers Weekly
Extending from the earliest Christian communities, marked by a strong sense of being "called out" from the surrounding society, to the 20th century, a "reversion to an age of persecution of Christianity," this superb, authoritative chronicle recreates the sense of the sacred as it was experienced by Christians in particular times and settings. Led by McManners, professor of ecclesiastical history at Oxford, a team of 19 historians explores the decisive role of Christianity in shaping the Germanic West, the intricate tapestry of Eastern Christendom, the historic failure of Christians to accommodate Jews and Muslims in their midst. Chapters deal with the Reformation and the new lay spirituality of the Enlightenment, missionary expansionism (1500-1800) and modern developments in Asia, Africa, Latin America, the U.S. and Europe. Hundreds of illustrations range from paintings by El Greco, Botticelli and Edward Hicks to an Ethiopian miniature, a drawing from a ninth-century psalter and photographs of key figures. 35,000 first printing; $50,000 ad/promo; History Book Club and Reader's Subscription main selections.
Copyright 1990 Reed Business Information, Inc.

From School Library Journal
YA-- A collection of 19 essays written by noted individuals and arranged in chronological order from first-century Christianity to projections about the future of the religion. Approximately 350 illustrations complement the selections and represent the differing atmospheres of the changing concepts of this religion throughout history. The sources for further research offer a comprehensive list of additional materials. The thorough index includes ideas and movements as well as proper names, guiding readers to both text and illustrations. While not easy reading, this is an excellent research source; however, some background in the subject is necessary for full comprehension.
- Lizabeth Connelly, R. E. Lee High School, Springfield, VA
Copyright 1991 Reed Business Information, Inc.

From Library Journal
In 19 chapters by as many scholars, this latest volume in the "Oxford Illustrated History" series traces the development of Christianity from its turbulent beginning to the present ferment in Latin America, Africa, Asia, and Eastern Europe. The last four chapters assess the current state of Christianity and its direction as it faces the challenges of the 21st century. A major emphasis of all the writers is the interaction between church and society. They do not present an isolated view of Christianity's development but show how it has grown in relation and in reaction to changes in its world and how it has helped shape that world. The wealth of illustrations--averaging one every other page--and the readable (though by no means elementary) style should give this volume wide appeal. Highly recommended for public and academic collections.
- Craig W. Beard, Harding Univ. Lib., Searcy, Ark.
Copyright 1990 Reed Business Information, Inc.

Most helpful customer reviews

16 of 18 people found the following review helpful.
Very Good Overview of the Growth and Spread of Christianity
By Wayne A. Smith
The Oxford folks have produced a very good overview of the Christian world from the death of Christ to the present time.

This book gives a good accounting of the major doctrinal and organizational challenges facing Christendom over the last two centuries as well as detailing its growth from a band of Jewish reformers to the world wide force it is today.

I would have liked a little more on the early rise and struggle of the church to find its place both doctrinally and in the Roman world, but this is a very solid book for someone wanting to explore the breadth of Christianity's two millennia.

8 of 9 people found the following review helpful.
The Oxford Illustrated History of Christianity
By J. Lindner
Religion, particularly Christianity, is one hair Oxford loves to split in as many ways as they can find. This overview of Christian history is well written and thorough. There may be other books of greater importance in specific areas of study, but this book is a good beginning. Church libraries may consider this book just because it covers a lot of ground in a single volume.

It covers the basics, the persecutions, the rise of Roman acceptance of Chrisitanity, the middle ages, and the Reformation. It carries the story to the present offering the reader a good understanding of the subject matter. It has illustrations throughout, but most are black and white. In an era when color printing is not really cost prohibitive any longer, this is kind of a shame. But the text is top-notch andthe reader will learn much from this volume.

54 of 72 people found the following review helpful.
A good overall history, but very Anglocentric.
By A Customer
I gave this book three stars because it has some very good qualities, and some qualities that detract from it. First, it offers a history of Christianity that neither focuses on the positive aspects nor on the negative aspects of the religion. Instead, it attempts to offer an objective retelling of the story of Christianity's spread. As far as this goes, I recommend this book.
There are two problems with this book, however. First, it is certainly very biased toward the British. Written by many English scholars, this is not terribly surprising considering their propensity for a superiority complex. But, if one can ignore this bias, and even laugh at it in some places, it does not take away from the learning experience of reading this book. What does harm this experinece are the assumptions that the authors make about the knowledge of their audience. I have a fairly good background in Christian history, and I read this to fill in some of the gaps. What I found were a lot of teasers to stories I did not know. The authors would mention some fairly obscure person or event without elaboration, expecting the reader to understand what he/she was talking about. This became quite annoying after awhile.
In conclusion, this book is a good read for anyone who wants to learn more about Christian history, but don't expect it to be comprehensive.

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Monday, October 15, 2012

[W317.Ebook] Free PDF Dark Memories: Gian Paolo Barbieri, by Maurizio Rebuzzini, Nikolaos Velissiotis

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Dark Memories: Gian Paolo Barbieri, by Maurizio Rebuzzini, Nikolaos Velissiotis

Sculptural nudes immortalized through black and white pictures by a great contemporary photographer. Barbieri's approach to nude photography has been a lengthy one, slow and carefully planned. He first explored the subject in his book trilogy, Tropici. These experiments, however, did not quite satisfy him: his fear of vulgarity, his yearning to illustrate the world according to his own personal vision, whereby even the crudest scenes must be ennobled, and his search for a suitable technique were issues that absorbed his mind for years.

Barbieri's nudes appear natural, direct, life like, rich, joyous, and marked by dazzling expressive purity and simplicity. These photographs bring together the prehistoric approach to the human body, the aesthetic pursuit of classical Greek beauty, and the Renaissance rediscovery of freedom. All this is expressed through an outstanding studio technique. This book represents an homage to natural exuberance in all of its forms. Without any contrived prudishness or fear of the banal, and with a child like happiness and innocence, it plays upon the thin red line that has never clearly divided so-called pure art from polluted art, poetry from vulgarity, the sacred from the profane. A must-have for anyone interested in fine photography, fashion, and the beauty of the nude form.

  • Sales Rank: #1147654 in Books
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 15.00" h x .73" w x 12.00" l, 1.25 pounds
  • Binding: Hardcover
  • 110 pages

About the Author
Maurizio Rebuzzini teaches history of photography at the Universitˆ Cattolica in Milan. Nikolaos Velissiotis is a music producer, art enthusiast, and collector.

Most helpful customer reviews

3 of 3 people found the following review helpful.
I reccomend
By Michael
Love this book, nice large photos, beautifully made. I would love to know when these photos were taken. It's a very erotic, very sexy, very artistic approach to the human form, both male and female. Unfortunately, Amazon does not know how to pack a book for shipment. The corners are bent and I am returning it for a replacement. Amazon just threw it in a box, threw some bubble wrap over it. That's not how you pack an art book.

2 of 2 people found the following review helpful.
Gorgeous book that reminds how stunning black and white photography can be!
By Book Luva
The images in this volume are nothing short of spectacular! They are bold, unapologetic homages to the human form presented with stunning beauty given their unrestrained content. This is clearly a true artist at work who is literally comfortable in his own skin and thoughts. I say Bravo!!

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Sunday, October 14, 2012

[N879.Ebook] Download PDF MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth

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MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth

MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth



MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth

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MASH Goes to Las Vegas, by Richard Hooker, William E. Butterworth

Book by Richard Hooker, William E. Butterworth

  • Sales Rank: #340679 in Books
  • Brand: Brand: Pocket
  • Published on: 1975-12-01
  • Number of items: 1
  • Binding: Paperback
  • 239 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

3 of 5 people found the following review helpful.
Richard Hooker... SURE he wrote it.
By Craig Gustafson
After "MASH" & "MASH Goes to Maine," Richard Hooker "took on a collaborator", William E. Butterworth, for a series of "MASH Goes to..." books.
The first two MASH books are basically collections of short stories with a very loose structure. The Butterworth books are sitcom novels... and not very good ones.
After the Butterworth series was played out, Hooker released "MASH Mania," which was a loosely structured series of short stories about the Swampmen in middle-age -- a rock-ribbed Republican middle-age, in fact, amazing though that may be to fans of the TV series, which Hooker hated. Although this book has politics opposite to my own, it's still funny and more importantly, Hooker WROTE IT.
From the completely different writing styles involved, I'd say that if Hooker ever even SAW what Butterworth wrote, it was to say, "Yeah, ok. I'll approve that."
I like Hooker's writing; so I felt rather manipulated by the Butterworth MASH books, which to my mind are Hooker's in name only.

0 of 0 people found the following review helpful.
MASH FAN
By BJAYS
MY HUSBAND HAS ALL THE MASH GOES TO BOOKS. HE LOVES THIS SERIES AND WHEN THEY WEAR OUT I HAVE TO ORDER NEW ONES TO KEEP HIS COLLECTION IN TACK.

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Sunday, October 7, 2012

[C866.Ebook] PDF Ebook You May Ask Yourself: An Introduction to Thinking Like a Sociologist (Core Fourth Edition), by Dalton Conley

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You May Ask Yourself: An Introduction to Thinking Like a Sociologist (Core Fourth Edition), by Dalton Conley

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You May Ask Yourself: An Introduction to Thinking Like a Sociologist (Core Fourth Edition), by Dalton Conley

The “untextbook” that teaches students to think like a sociologist, now available in a Core Edition.

You May Ask Yourself gives instructors an alternative to the typical textbook by emphasizing the big ideas of the discipline and encouraging students to ask meaningful questions. This “non-textbook” strategy explains complex concepts through personal examples and storytelling, integrates coverage of social inequality throughout the textbook, and offers the largest collection of instructor resources for a book in its price range.

  • Sales Rank: #10580 in Books
  • Published on: 2015-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .70" w x 7.10" l, .0 pounds
  • Binding: Paperback
  • 488 pages

Review
“For once, I was actually excited about reading a textbook. It seemed as if the author was talking directly to me at times.” (LaToya, social work major, SUNY Brockport)

“Honestly, I loved this book. It was so much more interesting than the other assigned readings, and reading You May Ask Yourself was the only assignment I always had done.” (Melissa, sociology major, University of Pennsylvania)

About the Author
Dalton Conley is a professor of sociology at Princeton University. In 2005, Conley became the first sociologist to win the prestigious National Science Foundation's Alan T. Waterman Award, which honors an outstanding young U.S. scientist or engineer. He writes for the New York Times, the Los Angeles Times, The Nation, Slate, and Forbes. He is the author of Honky (2001) and The Pecking Order: A Bold New Look at How Family and Society Determine Who We Become (2004). His other books include Being Black, Living in the Red: Race, Wealth, and Social Policy in America (1999), The Starting Gate: Birth Weight and Life Chances (2003), and Elsewhere, U.S.A. (2009). You can follow Dalton Conley on Twitter at @daltonconley.

Most helpful customer reviews

18 of 18 people found the following review helpful.
NOT THE FULL BOOK!
By M.B.
Amazon's listing for the full version paperback links to the core version ebook, so I mistakenly got this when I needed the full version. This one only has 10 chapters, so watch out!

7 of 7 people found the following review helpful.
The Ebook Lies
By Amazon Customer
So I rented this textbook due to a lack of funds. It works great on the app, responds well to the features. Except it is eight chapters short. The ebook falsely let's you believe that the complete fourth edition of the textbook is being given to the consumer. In fact, it is structured very much like the third edition. Amazon needs to correct this issue immediately because the majority who purchase and/or rent this textbook electronically now have to find some other forms to receive the chapters they are missing. Please DO NOT purchase this electronic download unless you know, exactly, how many chapters the edition contains.

12 of 12 people found the following review helpful.
Good book, but it is not the full version.
By Amazon Customer
I rented this book for my Soc 100 class, and it was great until the final test. This particular book is only chapters 1-12. It opts out the remaining chapters. Otherwise the material is a 5/5, just beware this is not the full book.

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Monday, October 1, 2012

[R597.Ebook] Free Ebook The Lives of the Novel: A History, by Thomas G. Pavel

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The Lives of the Novel: A History, by Thomas G. Pavel

The Lives of the Novel: A History, by Thomas G. Pavel



The Lives of the Novel: A History, by Thomas G. Pavel

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The Lives of the Novel: A History, by Thomas G. Pavel

This is a bold and original original history of the novel from ancient Greece to the vibrant world of contemporary fiction. In this wide-ranging survey, Thomas Pavel argues that the driving force behind the novel's evolution has been a rivalry between stories that idealize human behavior and those that ridicule and condemn it. Impelled by this conflict, the novel moved from depicting strong souls to sensitive hearts and, finally, to enigmatic psyches. Pavel analyzes more than a hundred novels from Europe, North and South America, Asia, and beyond, resulting in a provocative reinterpretation of its development.

According to Pavel, the earliest novels were implausible because their characters were either perfect or villainous. In the eighteenth and nineteenth centuries, novelists strove for greater credibility by describing the inner lives of ideal characters in minute detail (as in Samuel Richardson's case), or by closely examining the historical and social environment (as Walter Scott and Balzac did). Yet the earlier rivalry continued: Henry Fielding held the line against idealism, defending the comic tradition with its flawed characters, while Charlotte Bront� and George Eliot offered a rejoinder to social realism with their idealized vision of strong, generous, and sensitive women. In the twentieth century, modernists like Proust and Joyce sought to move beyond this conflict and capture the enigmatic workings of the psyche.

Pavel concludes his compelling account by showing how the old tensions persist even within today's pluralism, as popular novels about heroes coexist with a wealth of other kinds of works, from satire to social and psychological realism.

  • Sales Rank: #1267246 in Books
  • Published on: 2013-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.20" w x 6.40" l, 1.40 pounds
  • Binding: Hardcover
  • 360 pages

Review
Winner of the 2015 Barbara Perkins and George Perkins Prize, The International Society for the Study of Narrative
Winner of the 2013 PROSE Award in Literature, Association of American Publishers
Shortlisted for the 2014 Christian Gauss Award, Phi Beta Kappa Society

"Pavel has written the most interesting and subtle one-volume history of the novel currently available."--James Wood, New Yorker

"I learned more from the fruits of [the] erudition and study in The Lives of the Novel than I can express."--Paul Kottman, Los Angeles Review of Books

"[D]eft, incisive. . . . Thomas Pavel is a superb guide to the range and enduring power of the realist mode."--Thomas Keymer, Times Literary Supplement

"Pavel's study raises questions that can enrich readings of a wide range of fiction: What does it mean to live a virtuous life? How can humans achieve justice? What is an individual's responsibility to the community? To what extent is self-knowledge possible? These enduring questions infuse this erudite, elegantly written history with passion and urgency."--Kirkus Reviews

"The Lives of the Novel, first published in French as La Pens�e du Roman, is a superb work that deserves to be very widely read by academics, students and anyone interested in the novel. . . . [A]stounding and stimulating. . . . [A] generous-hearted work. . . . Intelligent, insightful and astonishingly well-informed, The Lives of the Novel is a major intervention and I imagine that it will become the standard work in this field, and remain so for years to come. Best of all, it was a pleasure to review because Pavel's love of literature just beams out of each page: reading this book is like the joy of meeting a stranger in a crowd at a pop festival and enthusing together about bands you both love."--Robert Eaglestone, Times Higher Education

"Thomas G. Pavel unravels what a novel is in his thoroughly researched The Lives of the Novel: A History. This academic work is fascinating as it delves into the intricacies of the novel and its importance. . . . If you have ever wanted to know how the novel came to be what it is, Pavel is certainly an able guide."--Elizabeth Humphrey, San Francisco Book Review

"Pavel's stunning breadth of reading, combined with reasonable exposition, provides an ample window on one fascinating feature of the tangled bank origins and equally messy performance of the ever-evolving genre we call the novel."--William J. Scheick, English Literature in Transition

"[A]n immense journey of erudition that reads with the ease of fiction."--Nicolas Weill, Le Monde

From the Back Cover

"The Lives of the Novel is an extraordinary accomplishment, one that few would have dared to attempt and fewer still have had the talent to pull off. At once a work of intellectual and literary history, literary theory, and moral philosophy, all delivered in an unstintingly limpid, flowing, impassioned prose, it constitutes a worthy successor to the efforts of Auerbach, Bakhtin, Luk�cs, and Watt. It may, indeed, prove a formidable rival to all four."--Joshua Landy, Stanford University

"Brilliant, provocative, and clearly and forcefully argued, this is an instant classic of literary criticism. Addressing nothing less than the history of the novel from its beginnings in ancient Greece to the second half of the twentieth century, Pavel analyzes more than a hundred works, presenting exciting new ways of understanding them and their place in the genre's development."--David Quint, Yale University

About the Author
Thomas G. Pavel is Gordon J. Laing Distinguished Service Professor of French, Comparative Literature, and Social Thought at the University of Chicago. His books include Fictional Worlds and The Spell of Language.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A history of the novel that's more than a history of the novel.
By K. Bunker
I found this book to be a fascinating history of the novel. Describing it with the word "history" needs some qualification, however, because it isn't simply a catalog of notable books, laid out in the chronological order of their publication. As author Thomas Pavel says in his Introduction, "Rather than providing a complete inventory of authors and titles, this book aims to describe the major types of novel and the forces that have shaped their history."

This focus on "the major types of novel" is what makes this book uniquely interesting. There have been many such types, with different ones being dominant at different times in history: the chivalric romance, the picaresque, the satire, the gothic novel, and many more. Generally speaking, early novels were largely concerned with promoting ideals of human behavior, either by portraying characters of exemplary perfection, or with characters whose flaws and failings were lampooned. One of the general trends running through the history of the novel is a movement away from these ideal-promoting novels and towards those that observed characters and the world with greater realism and attention to the details of life. But Pavel doesn't try to impose any single theory or "illuminating concept" on the history of the novel. Rather he portrays that history as multi-threaded, with many different themes and approaches to story-telling rising and falling throughout history, perhaps becoming dominant at various times and places, but with many different types of novel often existing at the same point in time. To quote one representative passage from the book, in which he notes that the novel seemed to have arrived at a kind of "maturity" late in the 19th century:

"At the end of the nineteenth century, the novel appeared to have reached full maturity. In its various forms, it could portray complex human beings whose development and actions did not merely illustrate a preestablished set of norms and values. Writers knew how to connect these characters, their thoughts, and their deeds to a plausible social and historical environment. They reflected on the various ways in which love and couple formation succeeds or fails. And most of them used clear, comprehensible language, meant to reach a large group of educated readers. These achievements -- social realism, complex characters, nuanced reflections on love, and accessibility -- were in no danger of forcing writers into a uniform mold. Victor Hugo, Alessandro Manzoni, Dickens, and the popular novelists defended an idealized view of humanity, while Stendhal, Thackeray, and Anthony Trollope ironically exposed human imperfection. The moral optimism of George Eliot and Tolstoy, Flaubert's mixture of contempt and indulgence, the Goncourts' and Zola's dismal view of human nature, Dostoevsky's rejection of autonomy, Fontane's serenity, Thomas Hardy's earnestness, the enlightened despair of Eca de Queiros, Benito Perez Galdos, and Boleslaw Prus -- they were all flourishing within the same literary framework."

In presenting this complex history of the ebb and flow of novelistic themes, Pavel discusses a selection of influential books and authors at the various stages in that history. Many of these discussions are detailed and insightful, and stand as excellent examples of literary criticism in their own right. Throughout the book, Pavel's writing is clear, engaging, and refreshingly free of obscure academic jargon or esoteric theorizing.

This will be an engrossing and even essential book for anyone interested in the history of the novel. But it should also be read by those who never considered themselves interested in that history. The novel, of course, is not merely a form of entertainment. It is through the novel that human beings have applied some of their deepest thought into how people think and feel and behave, how the individual relates to society at large, into love and all the other high and low emotions, into what it means to be alive and human. The history of the novel, especially when approached as Thomas Pavel has in this book, is a history of human thought about humanity.

Full disclosure: I received a copy of this book in return for a review.

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[E693.Ebook] Ebook Creating Judaism: History, Tradition, Practice, by Michael L. Satlow

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Creating Judaism: History, Tradition, Practice, by Michael L. Satlow

Creating Judaism: History, Tradition, Practice, by Michael L. Satlow



Creating Judaism: History, Tradition, Practice, by Michael L. Satlow

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Creating Judaism: History, Tradition, Practice, by Michael L. Satlow

How can we define "Judaism," and what are the common threads uniting ancient rabbis, Maimonides, the authors of the Zohar, and modern secular Jews in Israel? Michael L. Satlow offers a fresh perspective on Judaism that recognizes both its similarities and its immense diversity. Presenting snapshots of Judaism from around the globe and throughout history, Satlow explores the links between vastly different communities and their Jewish traditions. He studies the geonim, rabbinical scholars who lived in Iraq from the ninth to twelfth centuries; the intellectual flourishing of Jews in medieval Spain; how the Hasidim of nineteenth-century Eastern Europe confronted modernity; and the post-World War Ii development of distinct American and Israeli Jewish identities. Satlow pays close attention to how communities define themselves, their relationship to biblical and rabbinic texts, and their ritual practices. His fascinating portraits reveal the amazingly creative ways Jews have adapted over time to social and political challenges and continue to remain a "Jewish family."

  • Sales Rank: #58753 in Books
  • Published on: 2006-12-19
  • Released on: 2006-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.06 pounds
  • Binding: Paperback
  • 340 pages

Review

This book will give readers a new perspective on a very old product of human creativity.

(CHOICE)

Review

Creating Judaism is a work of uncommon synthesis that draws upon frameworks provided by the academic study of religions to offer a sympathetic and insightful overview of the nature and development of Judaism from ancient to modern times. Michael Satlow displays exceptional erudition and range in these pages, and he allows the reader to understand the dynamism and diversity as well as the coherence that has marked Judaism as a religious tradition throughout the ages. Creating Judaism will be of genuine interest and import to students of Judaism and scholars of religion alike. I recommend it most highly.

(David Ellenson, President, Hebrew Union College-Jewish Institute of Religion)

Satlow's insightful, lucid, and often daring account locates each period of Jewish history in its larger immediate context yet linked in complex, unforeseen ways to antecedent Jewish collective identities, sacred texts, and ritual practices. Judicious, erudite, and speaking in his own personal voice, Satlow adroitly describes how the Jewish heritage has repeatedly remolded itself—and what that flexibility signifies today. A book of great value to sophisticated novices and informed academics alike.

(Robert M. Seltzer, professor of Jewish history, Hunter College, and the author of Jewish People, Jewish Thought: The Jewish Experience in History)

About the Author

Michael L. Satlow is associate professor of religious studies and Judaic studies at Brown University. He is the author of Jewish Marriage in Antiquity and Tasting the Dish: Rabbinic Rhetorics of Sexuality.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Intriguing study of Judaism
By chubchik
I got this book after listening to prof. Satlow's Podcast "From Israelite to a Jew" which dealt with formation of Judaism in the post-exilic period. The book is an intriguing study of what do we mean by Judaism. The modern understanding of Judaism turns out to be a 19th century construct which greatly simplified the real state of affairs. Satlow defines Judaism as a conversation or a family of conversations between the Jewish people of various localities and time periods. The Jewish people is the persistent constant through history while the sets of rules and practices that constitute Jewish religious beliefs and observances are a multiplicity of intertwining currents that constantly alter their course depending on historical time, locality and social environment. As a graduate student in the study of religion, and as a Jew from Soviet secular background who is interested in his religious heritage, I appreciate the complexity of Jewish intellectual and religious landscape which Satlow has painted. The book is very readable and while a rigorous academic inquiry also bears the personal touch of the author's beliefs. The book can serve as a great introduction to the study of Judaism as well as a thoughtful inquiry into its roots. I highly recommend to anyone interested in Judaism and its history. The bibliography at the end of the book is very helpful for futher reading. It includes books and scholarly articles for a more in depth study.

5 of 5 people found the following review helpful.
35,000 feet view of Judaism. Putting things into perspective
By Mark Ellins
I bought this book because of Michael's excellent Podcast of "From Israelite to Jew". He concluded the Podcast before the birth of the Rabbis and promised he would write a book explaining the phenomena. This book is a light attempt at the subject and up until modern times. On the positive side, I enjoyed the 35,000 feet view of the evolution of Judaism. He touched on the history in a perfect manner and showed us milestones of how Judaism twisted and turned throughout the centuries. He showed the beginning of Jewish philosophy with Philo, through the RAMABAM, Kabalah, Chasidism and eventually to the break-off sects during the emancipation of Jews in Europe. He hit it on the nose in explaining how Judaism morphed into what it is today. As a historian, he briefly showed what has happening in parallel in the non-Jewish world and how it could have influenced Jewish thought. I enjoyed this perspective very much. As a Jew, we sometimes dive deep into the technical part without ever seeing a birds-eye view of where we came from and how we got it here in terms of thought. We study Torah, HALACHA and Talmud as a type of competition of who can be most overloaded with Jewish thought without really sitting back and understanding the triggers and origins of these thoughts and practices.

The real problem of this book is that is was too light for such an important subject. Michael skims over the history and in several instances says, "it would take too long to explain in detail". Again if you, the reader, are looking for a light version of Jewish thought history than this is a perfect book. If you want a little more intelligent meat, than you will be left hungry with this book. But Michael is a very good writer and I promise you will not be bored.

This book is for beginner plus Jews. You have to have some background to Judaism and know a little about the history and practices but you do not have to be an expert. I would recommend reading a beginners book on Judaism before reading this. For non-Jews, I think this book can be interesting as to see how religion can morph because of social changes and reality on the ground. Last his bibliography is very good at the end.

Enjoy!!! I know I did.

3 of 5 people found the following review helpful.
Useful history undermined by shoddy illogical scholarship and theology
By Stephen Baldwin
Publisher: Columbia University Press (December 19, 2006)
Language: English
ISBN-10: 0231134886
ISBN-13: 978-0231134880

Tyler Kranjac's rather dramatic and not particularly informative 1-star review has not been received favorably by the Amazon public; probably because of the lack of a real review, perhaps also the images conjured in the minds of his readers of his attempt to get himself uncircumcised. But having read Satlow's book, in a strange way, I think that Tyler has a point. While Satlow does indeed introduce many points of interest to the non-specialist, there are serious limitations in his method, in his logic, in his theology, and in his scholarship. I address each of these, in no particular order, in the coming paragraphs...
The Book: Chapters
1. Promised Lands: Compares American versus Israeli Judaism
2. Creating Judaism: Origins
3. Between Athens and Jerusalem
4. The Rabbis
5. Rabbinic Concepts
6. Mitzvot
7. The Rise of Reason
8. From Moses to Moses
9. Seeing God
10. East and West
In addition, the book provides a useful historical timeline and, especially for the non-Jewish reader, a glossary of terms.

Method:
Satlow's approach is non-essentialist - that is, as he describes, there is no such thing as "Judaism". There is no set of core beliefs that delineate it. We are dealing with a family of Judaisms, some of which have overlapping characteristics, others have none; all authenticate themselves "locally"; but there is no "standard" or canonical Judaism by which we might adjudge one flavor to be more authentic than another. There is no "essence" of Judaism, no defining characteristics.

What Satlow does, is to "map" these identities according to the way they define themselves to three general areas: Israel, textual tradition, and religious practice. The various Judaisms "understand themselves" and place themselves on one or more of these maps to greater or lesser degrees. Just in case you might be thinking that given these maps, there may be some Jewish "essentials" after all, Satlow counters by stating that a "community" is identified as Jewish if they identify themselves as Jewish according to their own understanding of that term...

Not only this, Judaism is presumed to be a human creation: "Throughout this book I presume that religion is a human creation and thus subject to the same critical scrutiny as any other human phenomenon." (page 17.) With regard to presuppositions, Satlow is a humanist. For him, Judaism's theological claims have no more intellectual validity than the Flying Spaghetti Monster so beloved of the New Atheism. Herein lies the first problem. Satlow's humanism is simply presumed, not proven (impossible in any case) or argued, just stated. But according to the Jewish scriptures, The Hebrews/Jews exist only because of God's divine intervention and self-revelation. But scientific humanism has no place for God, so the origins of Judaism by definition must have human origins. Further, scientific humanism will never ever detect signals of transcendence because they fall outside of its remit. It is concerned with the entities which comprise the Universe, and the relationships and connections between those entities. God is not a member of the Universe and so to closed minds, scientific analyses of the Jewish scriptures will never yield anything of any value in these respects. Such is the corner into which Satlow has painted himself.

And here my troubles begin. THE most basic reading of the Torah, whether one is the truest believer or die-hard atheist cannot be construed as anything other than the origins of Judaism as a divine self-revelation of God to Abram -- regardless as to what happened to Judaism later, and regardless as to whether one believes the story to be true.

Theology and Scholarly Reading of the Biblical Text:
Here is a condensed version of my criticism of Satlow as a poor logician and a worse scholar:

1. Satlow p76: "God made a covenant with Abram...if they would do what God demanded...God would make them numerous...": If you read the text (Genesis 12), you will observe that God makes no demands of Abram whatsoever. God declares that he will bless Abram unconditionally. No conditions are mentioned. Note also Satlow's tone: "what God demanded" - the confrontational nature of his description. His tone is problematic throughout his passages dealing with theological issues.

2. Consider p165: "Jews did not need the Rabbis to tell them that the God of Israel likes prayer" - how is prayer described here? Not the vital pulsating communication with God that can cause things to happen as described elsewhere in the Bible. Satlow condescendingly relegates prayer as something with which we may "butter up" God, make him feel good.

3. P79-80: The alleged 2 creations of Genesis 1 and 2: A careful reading of the text dispels the idea of contradiction. For fuller details see e.g. the relevant sections of Victor Hamilton's excellent commentary on Genesis (2 vols).

4. Logic: p80: "Sometimes God seems to get angry. An emotion utterly unbefitting a supreme transcendent being": Where is the logic here? Why does transcendence preclude emotion?

5. Logic: p80: Satlow questions whether the Bible even teaches monotheism. He is unable to distinguish between Yahweh's claim to be the only true God, and the existence of other false "gods" - Satlow incredibly sees an admission here that there are other "gods" out there ontologically similar to Yahweh. On page 82, he asserts that "nowhere does the Hebrew Bible directly command belief in anything, even in God." This is an astoundingly stupid observation that scarcely needs any comment given that God's existence is stated from Genesis 1:1 and God continuously interacts with humankind henceforth...

6. Exegesis: p82: The sacrificial system according to Satlow is to curry favor with God who was waiting to jump on anyone who made the slightest mistake. Any reading of the Biblical text will inform that sacrifices were for forgiveness of sins or offerings made in gratitude to God for his goodness.

7. Exegesis: p83: The prophets "have little or no will of their own" - again, any reading of the Bible will illuminate Satlow's shallow expositions. For example, Elijah and Jonah are quite happy to put their case to God and argue.

8. Exegesis: p83: The prophets as functionaries of the temple: Again, another astounding statement, backed up by nothing. Simply asserted and in direct contradiction to the Biblical texts. The prophets were mostly speaking against the political and religious establishment of their day who killed many of them - per the words of Jesus. Abraham Heschel (The Prophets, Chapter 15) deals with this issue.

9. A minor stylistic point is Satlow's overuse of the verb "to shape" and its cognates. We are frequently shaping shapes or being shaped into shapely shapes.

I'll stop there. I trust the reader gets a flavor. I should add that Satlow`s book contains much more that Biblical exegesis which is useful. My criticisms major on his view of Jewish origins and his views of the Tanakh. His book is, in my opinion, fatally undermined by these glaring inconsistencies some of which are illustrated above.

Conclusion:
While this is a book written by a competent professional historian, his presuppositions, bad logic, and even worse theological analyses deeply compromise what would otherwise be a useful, well-written book. The reader will undoubtedly learn (as indeed I did) about Judaism in its variety of flavors, and something of the origins and developments of those flavors. But underlying the story as Satlow tells it is his humanism which, with its concomitant theological blindness entails a divorce between the rich symbolism of Jewish practices and their substance. The rituals are meaningless because [according to Satlow] there are no realities behind them. What is left are his shortcomings and an abiding emptiness. I am left asking, at the end of it all, What's the point? That is the pertinent question that Tyler asked himself. At least the Flying Spaghetti Monster is edible [does he come cooked or uncooked?] Of course, we may consider a much more glorious outcome if, contra Satlow, the Jewish Bible is speaking the truth...

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